REF. TA-DIO-0108
| Designer | Christian Dior |
| Period | Late 1980s – early 1990s |
| Object | Square scarf |
| Material | Silk |
| Dior Couture: DIOR letter charms, mannequins, houndstooth mirrors | |
| Colours | Beige, gold, black, grey |
| Measurements | 47 x 47 cm |
| Condition | Excellent vintage |
Mannequins, houndstooth mirrors and dangling DIOR letters: the language of the couture atelier, printed on a small square.
Gold-tone DIOR letter charms
This scarf was made for Christian Dior between the late 1980s and the early 1990s. Its Dior Couture print combines gold-tone DIOR letter charms, dressmaker's mannequins and vanity mirrors framed in houndstooth on a beige striped background, with a black border and the Christian Dior Paris signature throughout. It measures 47 by 47 cm. It dates from the transition between Marc Bohan, artistic director until 1989, and Gianfranco Ferré, who succeeded him that year.
The tools of couture, turned into a pattern.
By the late 1980s Dior, like other great houses, was making its own history a subject of design. Houndstooth, used by Christian Dior from his early collections, and the dress form, symbol of the atelier, became recurring motifs. A scarf that gathers them presents the house's identity in a single, playful composition.
The hanging DIOR letters anticipate the charms that became famous on the Lady Dior bag in the mid-1990s, when the letters D.I.O.R. dangled from its handles. The scarf records an early moment in that move toward playful, visible branding.
The miniature dress forms celebrate the dressmaking process behind couture, the houndstooth mirror frames bring a core house pattern into the design, and the gold-tone letter charms add a decorative, jewellery-like element. The beige and black palette keeps the busy composition elegant.
Atelier, pattern and jewellery, in one square.
Scarves that depict a house's own codes are especially sought by collectors. This Dior Couture design, in excellent condition, is a small but rich document of how Dior presented its heritage at the turn of the 1990s.
Prints that depict a house's own codes are especially sought by collectors.
Novelty scarves in excellent condition are less common.
Dior continues to revisit its archive motifs, from houndstooth to letter charms.
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